
I’ll admit it: I’m a sucker for a story or novel set somewhere beneath the earth’s surface. I suppose I can lay this odd predilection of mine squarely on Jules Verne’s doorstep.
After all, what kid, especially a young boy, hasn’t read A Journey To The Center Of The Earth? My first exposure was a comic book version. Then I read the novel, and afterwards saw a movie version. I was hooked.

While writing my first novel, Festival Of Death, I discovered there are caves beneath Minneapolis! That was all it took. I just had to set part of Tina’s and Harry’s case in the labyrinths beneath the city. And, of course, that is where evil things happen.
There’s something about subterranean worlds and settings that captures our imagination in a way no other setting does. Perhaps it’s the idea of the hidden and mysterious right beneath our feet. There’s also the notion that below ground is associated with death, and by extension evil.
I suppose it all started with Hades — the land of the dead in Greek mythology. A mysterious realm prohibited to the living with but rare exceptions.
Of course we can’t forget Dante’s Inferno. Another portrayal of the realm of the dead. And certainly as equally forbidding as the pictures of Hades portrayed in the Greek myths.
It was in the 18th-century that subterranean fiction really got its start as something separate from portrayals of the land of the dead.
There’s Ludvig Holberg’s Nicolai Klimii inter subterraneum, published in 1741. Nicolai Klim spends several years exploring an earth inside our earth.
In 1788, Giacomo Casanova (yes, that Casanova) published the 5-volume Icosaméran. The “book” is an 1,800-page story of a brother and sister who discover a subterranean utopia.
The 19th century saw a proliferation of novels and stories with subterranean settings.
- The 1820 sci-fi novel Symzonia: A Voyage of Discovery
- Poe’s 1838 novel, The Narrative of Arthur Gordon Pym of Nantucket
- The above-mentioned novel by Verne, published in 1864
- Lewis Carroll’s Alice’s Adventures in Wonderland, published in 1865
- The Coming Race by Edward Bulwer-Lytton, published in 1871
- In 1881 there appeared Mary Lane’s hollow earth novel, Mizora, complete with feminist themes!
- William R Bradshaw’s 1892 sci-fi novel The Goddess of Atvatabar
The above are just a few of the many novels making their appearance before the reading public during the 1800s.
In the 20th century, subterranean fiction continued full-steam ahead with Burrough’s Pellucidar series; Rex Stout’s Under the Andes; Charles R Tanner’s Tumithak of the Corridors; Sean O’Larkin’s Morgo the Mighty; Otis Adelbert Kline’s Tam, Son of the Tiger; and Stanton A Coblentz’s Hidden World. To name just a few.
JRR Tolkien and CS Lewis have subterranean worlds, as does L. Frank Baum. There was even a Choose Your Own Adventure hollow earth book: The Underground Kingdom (1983).
And the above are only a few of the 20th century’s offerings. The outpouring of novels set in subterranean worlds hasn’t abated. It’s a setting that continues to inspire.
HP Lovecraft made use of the theme in at least 4 of his stories:
- The Beast in the Cave
- The Transition of Juan Romero
- The Festival
- The Mound
And I make use of a subterranean world in my Pierce Mostyn adventure: Stairway to Hell. And the world Mostyn discovers is indeed the stuff of which nightmares are made.
Life below ground was never so good. If you have a favorite subterranean novel, let me know in the comments. Until next time, happy reading!

3 responses to “Subterranean Terror And Adventure”
Extremely informative article, good sir! Places we can reach briefly but can’t inhabit, the open ocean for example, are sources of mystery and the fear of the unknown. And it isn’t just books. Dungeons & Dragons isn’t called Castles and Dragons or Farmlands and Dragons for a reason, and in its original incarnation, the only way to play was underground dealing with darkness and unfamiliar surroundings. Movies? Try The Descent on for size if you like being scared into catatonia.
So, what’s the attraction? First off, we’re very visual creatures. Most of us rely on our eyes for over 90% of our sensory input, and being underground deprives us of our primary sense. Most horror happens at night for the same reason; you can’t see IT, but it can most definitely see you. And cave creatures take it an extra mile. Many of them have a natural form of sonar, and some even have means to detect air movement on their skin or vibrations in the stone. Get trapped underground without a light, and you are well and truly screwed! Yarn-spinners have known this for millennia. As a footnote, my own introduction to the subgenre was Five Boys in a Cave by Richard Church. Read it in 6th grade, 1960. Never looked back.
And I would be remiss if I didn’t say a word about the author here: I haven’t caught up to Agent Mostyn’s Stairway to Hell yet, but Festival of Death is so good that I purchased it thinking it was steampunk (my misreading, not the author’s misrepresentation) and thoroughly enjoyed every word of it anyway. Mr. Hawes certainly writes a good article, but he writes an even better book, and if you’re looking for a well-constructed read in any of several genres, his catalog stands ready to provide it.
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Ah! The Underworld is super keen, and for me, I was THRILLED by Pellucidar, and based one bit in the third Rail Legacy novel on the terrors of the World Within The World. Splendid article, chum!
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Another interesting essay from an erudite literary commentator. Thanks for both the history lesson and the opportunity to reminisce. ‘Journey to the Center of the Earth’ fascinated me as a kid, and stories like that still appeal to me, especially since I wanted to be an astronaut when I was young. If you can’t be Tom Corbett, Space Cadet, spelunking and scuba diving in the opposite direction may be the next best things. (P.S. I also liked ‘Festival of Death’.)
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